Posted by: Gareth on Saturday, May 14, 2011
Flying the flag for clear communication and the efficient use of language can be a lonely job, but an eminently worthwhile one.
Communicating clearly is not just about style and credibility, it’s about ensuring people actually understand what you’re saying. And in some circumstances, ensuring people can easily and quickly understand you can be a matter of life and death.
In the recent inquiry into the 7/7 London bombings, the coroner, Lady Justice Hallett blasted the emergency services for their use of impenetrable jargon.
As any journalist can testify, the emergency services are renowned for mangling the English language in an attempt to…well, not sure why they do it to be honest, but you probably know they type of thing
…proceeding in a northerly direction the alleged attacked pursued the victim into a body of water in Hyde Park at 10.00 hours. Life was pronounced expired at 10.30 hours…)
Hopefully, Lady Justice Hallett’s rebuke will provoke a rethink about how the emergency services express themselves.
Posted by: Chris on Tuesday, May 3, 2011
Great explanation of the difference between compliment/complement and complimentary/complementary on the Oxford Dictionaries website – I for one stand corrected on my use of complementary to mean ‘free of charge’.
Incidentally, the OD website is a fantastically useful resource for vocabulary and grammar tips and advice.
Posted by: Gareth on Thursday, March 10, 2011
Tell it to me straight
The instantaneous ‘as-it-happens’ world of news reporting is an unpredictable place. Those tickers that run across the bottom of the screen cry out for some real breaking news but most days, it’s pretty dull.
That’s where the poetic licence of the avid reporter comes in handy. When there’s not much going on, you may notice the correspondent likes to fill the air time with vivid descriptions of their surroundings, or recount the previous night’s events with florid similes.
When it comes to the metaphor, it’s now used so much it’s an expected, if sometimes inappropriate, backdrop to any story or news report. The Guardian’s editor recently advised his staff to avoid using military metaphors in political coverage– particularly when there are so many real wars happening outside the UK.
And this style of writing surely blunts any impact when used in its proper context. Are ‘backbench troops’ really ‘on the defensive’? Your average journalist would be stuck if they couldn’t use descriptive words like ‘war’, ‘battle’ or ‘fight’. Elections are ‘battlegrounds’, there’s wars on drugs, obesity and of course, terror.
However when real news does actually happen, like the recent uprising in Egypt, the metaphor becomes strangely redundant. At first, correspondents clearly enjoyed getting creative, from being ‘engulfed in an ocean of protesters’ to observing ‘the war zone in Cairo’. However, the reality soon caught up with the hyperbole as subsequent events spoke for themselves, and reporters got on with what they do best that is – giving it to us straight.
Posted by: Gareth on Wednesday, March 2, 2011
Mellifluous (adj.) – smooth, honeyed, sweet; often use to describe something that is pleasing to the ear or smooth sounding.
It’s one of those words that feels like it takes your whole mouth to pronounce. In fact, it could be onomatopoeic (perhaps a word for another month?). Derived from the Latin mel (honey) plus fluere (to flow), mellifluous literally means ‘flowing with honey’.
“The young poet wrote about the first day of spring in a delightfully mellifluous manner.”
Or
“I don’t mind my daughter listening to Jay-Z, but his music is hardly mellifluous.”
Posted by: Zoe L on Monday, February 7, 2011
Followers of this blog will know of our admiration for the Plain English Campaign (PEC). Their mission to rid the corporate world of jargon, important-sounding vacuous waffle and ambiguous confusion is to be admired.
But, with every argument must come a counterpoint, and we discovered one very recently in the Guardian’s word blog ‘mind your language.’
The PEC’s view is that by using metaphors such as ‘singing from the same hymn sheet’ and ‘move the goalposts’, is to block clear communication and, as a result, miss the message. The Campaign even quotes George Orwell, and his incisive essay ‘Politics and the English Language’: “Never use a metaphor, simile, or other figure of speech which you are used to seeing in print”.
According to the Guardian writer, though, PEC’s mistake was to condemn metaphors in the same way as other over-used cliches such as ‘blue sky thinking’ and ‘ballpark figure’. He says the Campaign’s stance ’betrays a lack of sensitivity to the poetry and evocative power of everyday language’.
To avoid metaphors is to avoid any familiarity for the reader or listener. Newly coined metaphors, he argues, are useful for a fresh insight or idea – but even the most gifted of writers would be hard pushed to come up with many brand new ones.
To use a sprinkling of familiar metaphors in writing or speaking is to help the reader conjure a vivid picture or inspire thought. The writer mentions Barack Obama’s inauguration speech as a good example.
Ultimately, we’re all on the same team, but the writer’s argument for words is to ‘love them, not distrust them’, to follow the rules of good English but to also use your own judgement when it comes to using one of the most useful tools a writer has.
